| Features

Saint Morissey

Cathy Park Hong

after Omar Fast

 

When I listen to you, I feel heroic.
I drink gin that tastes
like gasoline and hear Mama roja in the toilet.
I am the heir to nothing in particular.
I want love on a rooftop
but that love is so pure, it will kill me
and I will lie dead in a bed of gladiolas, Santo Moz,
I love you so much, your eyes spill garnet tears
and remain on your face like murder.

Music brings everyone together like grief.
But Santo Moz, I have a confession.
Two gringos hired me to be their dead soldier son.
They give me a desert uniform and helmet.
Every night, I come home to them,
I eat dinner, they ask me about the war I make
shit up you can’t believe, then gringo mom
hugs me, once she kissed me hard,
her tongue crushing mine. That kind
of grief is so crazy-making it
fails my mind.

After Mama pukes, she scrubs
the toilet with ammonium and scatters
the air with sapphires, and I turn you up and up.
There is nobility in my aloneness.
When private school assholes pantsed me
I stood, with just a shirt on, no underwear,
like some country kid with his pinga
poking below his shirt.
I am heir to a shyness that’s criminally vulgar.
I hate the sun, I want to rope a collar
around my dumb box, and fly
to you and your cold night smell.
I am human and I need to be loved.
I go to a club and stand on my own,
and go home on my own.

 

Cathy Park Hong’s last collection, Engine Empire, was published in Spring 2012. She teaches at Sarah Lawrence College.

Comments are closed.